Studio Lives

<div><strong>Section I: Legacies</strong></div><div>Chapter 1: A visit to the master: G.F. Watts and the Victorian studio tradition</div><div>Chapter 2: Studio facts and studio fictions:; the studio, the new journalism and the art novel</div><div><strong>Section II: The Studio as Home</strong></div><div>Chapter 3: An Arts and Crafts Movement artist in the Cotswolds Henry Payne</div><div>Chapter 4: The artist as architect: Roger Fry and Durbins</div><div>Chapter 5: Augustus John: from the caravan to the urban stronghold</div><div><strong>Section III: After the Victorians</strong></div><div>Chapter 6: The artist and the swagger studio: William Orpen</div><div>Chapter 7: Studio, sculpture, architecture: William Reid Dick</div><div>Chapter 8: Old buildings, new art: Winifred and Ben Nicholson in Cumberland; Barbara Hepworth and John Skeaping in Hampstead</div><div>Chapter 9: The architectural heresies of a painter: Roger Fry and modernism </div><div><strong>Section IV: Building for Art</strong></div><div>Chapter 10: On display: domesticity, masquerade, modernity: Gluck, Eileen Agar, Dora Gordine</div><div>Chapter 11: Buildings int eh landscape: Augustus John, F.E. McWilliam</div><div>Chapter 12: Alistair Morton and Brackenfell: modernism, art and industry</div><div><strong>Envoi/Conclusion </strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;</div>