Reconstructing Ancient Linen Body Armor
Reconstructing Ancient Linen Body Armor
SKU:9781421408194
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Alexander the Great led one of the most successful armies in history and conquered nearly the entirety of the known world while wearing armor made of cloth. How is that possible? In Reconstructing Ancient Linen Body Armor, Gregory S. Aldrete, Scott Bartell, and Alicia Aldrete provide the answer.An extensive multiyear project in experimental archaeology, this pioneering study presents a thorough investigation of the linothorax, linen armor worn by the Greeks, Macedonians, and other ancient Mediterranean warriors. Because the linothorax was made of cloth, no examples of it have survived. As a result, even though there are dozens of references to the linothorax in ancient literature and nearly a thousand images of it in ancient art, this linen armor remains relatively ignored and misunderstood by scholars. Combining traditional textual and archaeological analysis with hands-on reconstruction and experimentation, the authors unravel the mysteries surrounding the linothorax. They have collected and examined all of the literary, visual, historical, and archaeological evidence for the armor and detail their efforts to replicate the armor using materials and techniques that are as close as possible to those employed in antiquity. By reconstructing actual examples using authentic materials, the authors were able to scientifically assess the true qualities of linen armor for the first time in 1,500 years. The tests reveal that the linothorax provided surprisingly effective protection for ancient warriors, that it had several advantages over bronze armor, and that it even shared qualities with modern-day Kevlar.Previously featured in documentaries on the Discovery Channel and the Canadian History Channel, as well as in U.S. News and World Report, MSNBC Online, and other international venues, this groundbreaking work will be a landmark in the study of ancient warfare.
About the Author
About the Author
Table of Content
Table of Content
<P>Acknowledgments<BR>Introduction<BR>The State of Linothorax Scholarship and Typologies of Greek Armor<BR>The Structure of This Book<BR>Methodology and Audience<BR>1. Ancient Evidence for Linen Armor<BR>Literary Sources<BR>Linen in the Ancient World<BR>Visual Sources<BR>2. Structural Variants and Decorations on Type IV Armor<BR>Structural Elements I: Shoulder Flaps<BR>Structural Elements II: Shoulder Flap Ties<BR>Structural Elements III: Pteruges<BR>Structural Elements IV: Structural Elements IV<BR>Decorative Elements I: Painted Designs<BR>Decorative Elements II: Color<BR>Distinctive Aspects of Etruscan Type IV Armor<BR>3. What Material Was Used to Make Type IV Armor?<BR>Leather versus Linen Construction<BR>Sewn versus Laminated Construction<BR>Composite Construction<BR>4. Reconstructing the Linothorax<BR>Developing a Basic Pattern<BR>Fabrics and Glues<BR>The Lamination Process<BR>Heroic Nudity and Armor Length<BR>Decoration<BR>Thickness<BR>5. Arrow Test Methodology and Materials<BR>Arrow Test Rationale<BR>Test Patches<BR>Arrows and Bows<BR>Arrow Test Procedure<BR>6. Arrow Test Results<BR>General Observations<BR>Less Significant Test Variables<BR>Hand-Produced versus Modern Linens<BR>Laminated versus Sewn and Quilted<BR>Different Arrowheads<BR>Depth of Penetration and Lethality of Injury<BR>Angled Shots<BR>Test Results Compared to Ancient Source Testimony<BR>Testing Other Types of Attacks<BR>Arrow versus Unarmored Warrior<BR>Arrow versus Test Patch: Test Result Tables<BR>Linen versus Metal Armor<BR>7. Wearability Issues<BR>Potential Vulnerability to Moisture<BR>Waterproofing Experiments<BR>Durability and Repair<BR>Range of Motion, Mobility, and Fit<BR>Heat, Weight, and Endurance<BR>8. Economic and Social Considerations<BR>Labor Required to Construct a Linothorax<BR>The Cost of Linen Armor<BR>Cost and Availability of Leather versus Linen<BR>Large- Scale Production<BR>Gender Issues<BR>Conclusion<BR>Appendix: Database of Visual Sources for Type IV Armor<BR>Black-Figure Vases<BR>White- Ground Technique Vases<BR>Red- Figure Vases<BR>Stone Sculptures and Reliefs<BR>Terracotta Sculptures and Reliefs<BR>Metal Objects<BR>Paintings<BR>Notes<BR>Bibliography<BR>Index</P>
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